士  林  官  邸     柯  宅

DESIGNER / HSU WEI YANG

LOCATION / TAIPEI 

 

「Non」Arty 
About the "true " and " imagination ."
" Arty " a derogatory word for Chinese proverb refers to the lack of literate people in order to make tokenism and elegance of the official . In the long design process, designers ( the owners ) are often for their future living space full of good "Imagine ." Once the imagination ( design ) overdone and makes the user ( owner ) fear saddled with " arty " criticism and appears to be unrealistic correction , which is not designed essentially realistic !

Three kinds of " elegance " of the soul
faith of the soul /
Embedded in the stone entrance closet Avalokitesvara , weathered camphor set off back version solemn Buddha . And placed in the contralateral antique console table , a table and set of daily reciting Buddhist scriptures and suspension handed down from her mother Goddess portrait. Here , life is revealed on the religious philosophy of faith.

the soul of music /
Living room wall side stacked with several classic guitars and bass guitars , musical instruments wooden texture projection soft space texture. The owners music workspace, side glass comps large electronic tablet , the edge of the stairs is a group of old sheet music cabinet styling , and an electric piano and recorded music YAMAHA wooden guitar and electric guitar. Here , life is revealed on the art of playing for himself.

collecting souls /
Owners extremely fascinated with the elements of sense of time , from the old entrance forging screens, living room with antique furniture classic guitar dialogue and coexistence of old and new BOSE audio bass sound on the 1950 host next jazz guitar . Old and new dialogue with each other , showing a time comparison uncoordinated beauty. Here , life is revealed on the classic collection.
 
Three kinds of " realistic" compromise
feng shui compromise /
Corresponds to 45 degrees from the entrance diagonally financial position, placing a symbol of wealth and a symbol of flooding and Amethyst Geode and placed parallel to the rock lights, wooden entrance porch siding restrained the moving line conflicts living deliberately towards the north position overlooking the park and skyline . Without excessive artificial decoration , antique Mallett mottled paint walls, suggesting that all the details of life with Feng Shui form .

compromise of life /
Several storage room entrance side luggage suitcase storage , disclosure owners simple, quiet , thick, low-key living life . The other side is the kitchen pantry work space , double the cooking work surface , indicating that the owner used to cook daily routine and regular life . Link electronic music room and the living room has a glass wall privacy and the use of semi-open mode , to extend the possibility of spatial scales .

enjoy the compromise /
Living room windows side by prominently placed a light gray cloth sofa , just above the projector to broadcast a 120-inch digital movie channels. Master bedroom and living room are separated by a large video wall storage cabinet , cabinet are the owners of the classic movie collection. Side of the master bedroom has a desk job openings ribbon , the joy of reading from solid wood tables and chair legs extending between . Bedside wood siding wall lean side windows through implantation into a strong natural light, bedside OSIM massage chair quietly and healthy life conversation.

Old skin, something soul
Man of the house because the love of music with the hostess and art come together , life seems to have everything related to the arts . A house that has the appearance , in accordance with the state as reflected occupants . Either personality or preferences detail, seem to be aware of . Designers of the owners of real life through exploration , in addition to removing arty space discussion , gradually internalized into a more authentic interpretation of the owners attitude towards life. Instead , it is real simple philosophy of life

 

「非」庸風雅

關於「真實」與「想像」

「附庸風雅」一語為中國貶意諺語,泛指缺乏文化修養的人為了裝點門面而結交風雅之仕。在漫長的設計過程中,設計者(業主)往往對於自己未來居住的空間充滿美好的「想像」。一旦想像(設計)過了頭而使得使用者(業主)恐揹負著「附庸風雅」的非議而顯得矯作不切實際,亦即設計本質上的不真實感!

 

三種「風雅」的靈魂

信仰的靈魂 /

玄關壁櫃嵌進了石雕觀音像,風化的樟木背版襯托了菩薩的莊嚴。而於對側擺放了古董玄關桌,桌面上並置了日常誦唸的佛教經典與懸掛著母親傳承下來的觀音畫像。在此,生活透露了對宗教哲學的信仰。

 

音樂的靈魂 /

起居室牆側堆放著好幾個經典吉他與低音吉他,樂器木質的紋理投射軟性空間質感。在業主音樂工作空間中,一面大片的電子玻璃譜曲寫字板,邊上是一組古舊的樓梯造型琴譜櫃,和一架YAMAHA電鋼琴與錄製音樂的木質吉他和電吉他。在此,生活透露了對演奏藝術的嚮往。

 

收藏的靈魂 /

業主極度著迷於有時間感的元素,從玄關古舊的鍛造屏風、起居室裏古董家俬與經典吉他的對話與新舊並存、新的BOSE視聽重低音音響主機放在1950的爵士吉他旁邊。新和舊彼此對話下,呈現出時間對比的不協調美感。在此,生活透露了對經典的珍藏。

 

 

 

三種「實際」的妥協

風水的妥協 /

由玄關對應45度斜對角的財位,置放著象徵財富紫晶洞以及象徵驅及及平行置放的岩燈,木質的玄關壁板內斂了入口的動線衝突,起居室刻意朝北方位眺望著陽明山的天際線。沒有過度的人為裝飾,仿古斑駁的馬萊漆牆面,暗示著一切與風水構成的生活細節。

 

生活的妥協 /

玄關邊儲藏室數個收納的行李皮箱,透露業主樸實、寧靜、厚實、低調的旅居生活。儲藏室另一側是廚房工作空間,雙排的料理工作檯面,說明了業主習慣下廚的日常作息與規律生活。連結音樂室與客廳的電子玻璃牆擁有隱私與半開放的使用模式,延展了空間的尺度的可能性 。

 

享受的妥協 /

起居室靠落地窗側醒目地擺放著一張淺灰色的布質沙發,正上方的投影機播映著120吋的數位電影頻道。主臥房與起居室之間隔著一個大型影音收納櫃牆,櫃內皆是業主的經典電影收藏。主臥房工作書桌側邊有一個帶狀的開口處,閱讀的喜悅自實木桌與椅腳間延伸出來。床頭木質壁板墻上倚靠著床側落地窗透進強烈的自然光,床邊的OSIM按摩椅靜靜地與健康的生活對話。

 

新舊外皮,東西靈魂

男主人與女主人因為熱愛音樂與藝術走到一起,一切生活看似都與藝術有關。一個房子所具備的模樣,是依照居住者所反映出來的狀態。無論是個性或喜好細節,似乎都是可以被覺察到。設計者透過對業主真實生活的探索,除去掉附庸風雅的空間論述,逐漸內化為一種更真實詮釋業主的生活態度。取而代之的,是真實質樸的生活哲學。

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